Buy & win at forest factory shop

Buy any product for a minimum value of Rs 300 and win a gift by winners.
Venue: Forest Factory Shop
             Kendra
             Saint Pierre

About marketing

http://en.wikipedia.org/wiki/Marketing

profile notice for 2013

http://www.uom.ac.mu/Admissions/Admission2012/undergraduate/PROFILE_NOTICE_2012_ver1.pdf

http://www.youtube.com/watch?v=K-0cEJdPOCM

News on cyclone felleng

Tropical Cyclone Felleng, currently spiraling off the east coast of the island of Madagascar, was caught in a NASA satellite image exhibiting "overshooting cloud tops," a clear sign that it is packing powerful storms.
A NASA statement describes an overshooting cloud top as a domelike protrusion that balloons out from the anvil head of thunderstorm cloud and shoots up into the stratosphere, the layer of the atmosphere above the troposphere. The troposphere is where most weather on Earth occurs.
The overshooting top is indicative of powerful storms because it takes a lot of energy to push through the tropopause, the boundary between the troposphere and stratosphere and where the temperature of the atmosphere goes from decreasing with height to increasing with height. Normally, the vertical growth of clouds stops at the tropopause, the NASA statement says, with the clouds then spreading out horizontally, forming the characteristic anvil shape of most strong thunderstorms.

About fashion

Fashion is a general term for a popular style or practice, especially in clothing, footwear, accessories, makeup, body piercing or furniture. Fashion refers to a distinctive and often habitual trend in the style with which a person dresses, as well as to prevailing styles in behaviour. Fashion also refers to the newest creations of textile designers. The more technical term, costume, has become so linked to the term "fashion" that the use of the former has been relegated to special senses like fancy dress or masquerade wear, while "fashion" means clothing more generally and the study of it. Although aspects of fashion can be feminine or masculine, some trends are androgynous.

Early Western travelers, whether to Persia, Turkey, India, or China frequently remark on the absence of changes in fashion there, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years. However in Ming China, for example, there is considerable evidence for rapidly changing fashions in Chinese clothing. Changes in costume often took place at times of economic or social change (such as in ancient Rome and the medieval Caliphate), but then a long period without major changes followed. This occurred in Moorish Spain from the 8th century, when the famous musician Ziryab introduced sophisticated clothing-styles based on seasonal and daily fashion from his native Baghdad and his own inspiration to Córdoba in Al-Andalus. Similar changes in fashion occurred in the Middle East from the 11th century, following the arrival of the Turks, who introduced clothing styles from Central Asia and the Far East.
The beginnings of the habit in Europe of continual and increasingly rapid change in clothing styles can be fairly reliably dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing.The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment, from calf-length to barely covering the buttocks, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers.
The pace of change accelerated considerably in the following century, and women and men's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles. These remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, mostly originating from Ancien Régime France. Though the rich usually led fashion, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites—a factor Braudel regards as one of the main motors of changing fashion.